We’re playing at The Bell in Bath this Wednesday and at Canteen in Bristol this Thursday, but the big news is that album number 3 is going to be out early in 2012, on March 5th to be precise.

We’re getting a bit hot under the collar already of course but it seems we’re not the only ones:

http://www.jazzwisemagazine.com/news-mainmenu-139/68-2011/12165-jazz-breaking-news-get-the-blessing-are-back-with-storming-eight-tracker-with-robert-wyatt-guesting

So … jim and clive are now in portis headland (duh duh duh duh duh duh duh duh) … denmark poland slovakia … making intense dark beautiful but not very happy music … but what about pete and me I hear you fry? well ….

… first off, it’s not the end of gtb activity. portishead are going to be supporting us at a festival in slovakia (Bažant Pohoda 2011 since you asked). obviously they will look very cool playing with the pheads but we believe they will look cooler still in their suits with us ….

… we are also playing at the very famous jamboree club in barcelonia in august. I’ve played there before (loooong time ago) and that was really very hot indeed but we will take towels and water…

… and pete is doing some gigs with his fantastic new band three cane whale and his fantastic but not quite so new band eyebrow. I will be stretching myself with the great trumpeter Nick Malcolm and with the excellent pianist Mike Willox (the Magnificent 7 is at Bristol’s Harbourside festival on july 30, thanks for asking) and with the equally fantastic Denny Illett (we’re playing at El Rincon in Bristol on July 22 since you’re interested)…

… but none of these will quite satisfy our cravings for blessing so we’ve set ourselves some homework and we’re going to write some tunes. absolutely no idea yet what will come out of it but there you go. and we’ll be finishing off the next album which is nearly ready. we have 8 or 9 tracks waiting to be polished, mixed and mastered and we have cellophane waiting to be photographed…. and there may be some very welcome and very surprise guests on the record … it will probably come out when phead is tucked away back into its cupboard so expect a release early next year and various tourings in england and europe (and hopefully scotland wales and ireland and america and canada)…

….there may also be a sneaky gig or two which we may or may not tell you about ….

…. and watch out for clive in his hugely exciting new guise as co-drummer with radiohead. wet myself have you? can’t tell you how excited I am and I’m not even him!

so here are some good and some not so good photos from the recent and not so recent past to keep you amused and keep having a look at the website for new tracks which I will put up when I get bored of these ones ….

along the way we have engaged in high level espionage in order to get our poor little instruments onto blue and yellow aeroplanes .

in-between times , days in the studio have been shoehorned in , and somehow we seem to have recorded an album …. again .
three is the magic number .. but so are  13 , 12 , 5 , 7 , 6 …    obsessive compulsive ambivalence  , low flying satellites , speciality coffee , strange illusory nebulous death sentences , beautiful lands where everything is measured in a semi decimal system , mozart and his ethiopian lamb wot , bakers dozens . all these subjects have been carefully studied in order to produce something well balanced , but tasty for the 21st century palate .
a kind of existential maths and extreme emotion sausage is what we’ve come up with ..  its surely pretty tasty , but will it be possible to digest ? only you can say .

the whole shooting match is gonna be packed up into tea chests and moved from hammersmith to salisbury quite soon , and a bright new world of creativity is gonna open like a night scented stock  in the crepuscule of our year .
late autumn or early spring ? dried leaves , misty evenings  .. or baby lambs gambolling in the dewy dawn ? … not sure ……………
schnoody and captain ad hoc are off to do some off shore drilling for late 20th century miserypop .. rich viens of which are deposited in europe and america .
so .. the GTB onslaught is to be interrupted briefly ..  but …  if it doesn’t kill you .. it makes you stronger …
the next show is at the 100 club and we are hoping for some friends to come and join in .
come and join in … please .

oh ..  and thankyou for not asking ” is it really jazz ? ” , how  very european of you . thanks .

Wednesday 29th June
at the 100 Club

We’re delighted to be invited to play at the very first London Blues Festival, and especially to play in the 100 Club, one of the most famous (infamous?) venues in the world. Lush.

DEUTSCH

Deutschland und Österreich! Dreizehn Konzert in dreizehn Tagen. Wir kommen sehr müde aber sehr glücklich nach Heimat zurück.

Erstemal müssen wir sagen: Fliegen Sie nicht mit Ryanair! Danke.

Also, jetzt kann Ich auf der gute Sache schreiben, und das war alles (aber nicht Ryanair). Vielen dank zu viele Leute für viele Hilfe. Unser Reisen war sehr leicht. Die Deutsche und Österreiche Zuge! Pünktlich und schnell, und wir haben viele gute Mittagessen gehabt.

Und der Musik: es ist sehr schwer die besten Konzert zu erinnern. Nicht weil Ich es vergessen habe, nur weil es gab so viel. Berlin war besonders, weil es war erste und so haben wir ein bisschen Angst. Vielleicht nur Ich (weil Ich auf Deutsch sprechen muss). Aber erste übe Ich mit Rosa und unsere Freunden von Kurdistan. Hamburg war ein sehr historisch Klub mit die besten Wurst. Wir freuen uns auf Komischen GTB Hamburg T-Shirts.

In Dortmund haben wir Spass mit der Klavier, und in Köln mit der Dom und Murphys (es war St Patrick’s Tag). Karlsruhe hat der besten Rotwein und Klatschen. München: ein sehr schön Klub und es war sehr Voll. Wir haben die besten in München gespielt, denke Ich. Und Ich habe mein besten Deutsch gesagt auch. Hoffentlich David Beckham werde für Bayern München spielen und dann werde ich berühmt.

Und nächste ist Sonntag und jetzt sind wir ein bisschen müde. Wir brauchen ein Tag auf dem Land. Und so wir reisen nach Lüdinghausen, eines schönes Dorf in Münsterland und spielen wir in unsere Schloss. Wieder bitte.

Natürlich wollen wir in der Sonn in Lüdinghausen bleiben, aber wir müssen Apfelwoi drinken. Also reisen wir nach Frankfurt und Brotfabrik. Es gibt keine Brot, aber es gibt viele schöne Leute und woi von Äpfeln. Apfelwoi ist nicht so gut für Frisbee und so wir müssen in Mannheim spielen für unsere alte Freunde Schott und Schock.

Österreich und die schönsten Stadt: Innsbruck. Wir müssen ein sehr grosse Danke zu Loni sagen: Ein fantastisch Konzert und unsere Wäsche auch! Entschuldigung Passau: Du bist auch sehr, sehr schön, aber Innsbruck hat die Bergen. Aber du hast die schönsten Leute! Ja, alle die wichtigen Leute in Passau hat GTB getroffen, der Staatsanwalt und seine Freundinnen, zum Beispiel.

Nach Österreich zurück und die letzten zwei Konzert. Erste in Wien, vielleicht der schöne Stadt in der Weld. Aber wir haben niemand Kaffee mit zu trinken. Nächste zeit? Und Endlich kommen wir nach Linz mit der grosse Dom (in Österreich), Linzertorte und Oxymoron, der ruhig Konzert.

So, sehr fantastisch, und für nächste Zeit werde Ich die andere David Beckham joke üben.

ENGLISH

We done played loads of gigs in Germany and Austria and they was all wicked.

we are returning to pizza express where we did our first ever gig outside london, the beginning of our road to infamy. it was a very lovely gig and mr jack massarick really liked us. so we are looking forward to the gig. plus we love the m4.

tonight is a double bill with the hugely excellent arun ghosh and we are playing the first set of the first gig of the launch weekend of the first britjazz tour of germany 2011.

then we are playing in berlin and hamburg and cologne and karlsruhe and dortmund and mannheim and frankfurt and munich and ludinghausen and innsbruck and passau and linz and awww vienna.

Corse. Magnifique. Les montagnes, les gens, les voix polyphoniques, et…les fromages

Photos taken by Manu Pagand at our gig in La Cave à Musique, Mâcon, France on Feb 6:

http://www.flickr.com/photos/epagand/sets/72157625873456643/

We’re going to be back soon though (Pizza Express, Dean Street, in March…)

no this big:

Yep, back and loving it. The thumb is still a bit wonky but that should get better in time and it doesn’t seem to be holding me back. I took the precaution of doing some practice before returning to the saxophone playing fold so it wasn’t too much of a shock for all concerned, not least my lip. Don’t worry – I’ve stopped practicing now.

In fact, I think it’s possible the hiatus has done me some good. I’ve listened to a lot of music and tried to embrace diversity, not in the sense of a diverse selection of music – I’ve always listened fairly widely – but to try and listen to the diversity within the music I’m listening to, if that makes any sense. so, for example, I’ve been listening a lot to Tom Waits in the past few months. I’ve heard him described as ‘having his thing’ i.e., of being a one-trick pony, of having a set and specific style, and this ‘criticism’ isn’t entirely unfair. It’s true that he has a very identifiable style and approach, but that doesn’t imply homogeneity. There’s the obvious shift from the west coast singer/songwriter of his early albums to the world-weary hobo-drunk of the style he had adopted by the 80s but even within a single album there’s huge variety. Take Mule variations which starts with the cynical blues-funk of Big in Japan but also encompasses the twisted monologue of What’s He Building In There at one end to the country sentimentality of Hold On at the other. And you can’t go wrong with Mark Ribot and a marimba.

But before this descends into a gibbering fawn-fest over Tom, I should point out that I’ve also been listening to Wayne Shorter, John Surman, Radiohead, Satie, John Adams, Tortoise and have been reminded that less is usually more when it comes to making music. I expect I’m still going to play too many notes, I’m a saxophonist after all (though, in my defence, 15 years of dedicated non-practice has rendered me incapable of playing as many notes as most saxophonists), but I’m trying to think a little more carefully before playing those notes, trying to make sure they count, that they mean something.

Anyway, it’s been great to be back in the Blessingmobile again and we’ve had a nice run of gigs in the past few weeks. Not many, but enough to remind us why we do it and hopefully give us the push to get back in the studio. Thanks to all who came to our gigs (in Poole, Maidenhead, London, Basingstoke and Teignmouth). We’re going to do a couple of quiet/noisy Xmas gigs, one back at our old favourite The Bell in Bath and one at Canteen in Bristol. So see you there.

8.15pm - Tickets £14; over 60s, under 16s and students £12

http://www.anvilarts.org.uk

8.30pm - Tickets £10

http://www.vortexjazz.co.uk/

http://www.wegottickets.com/event/89273

8pm - Tickets £12/£10

http://nordenfarm.org/

Us (them plus Josh who has two thumbs) on French telly

A bit of the other band, a bit of us (them plus Josh who has two thumbs) playing, and then an interview with them (all two-thumbed) including Jim saying something incomprehensibly wise and important about Trip-hop …

Some more photos

Jimbo Baggins

Too much Crazy Dog

Nice double-bill

http://www.brisfest.co.uk/

Wolfs stage, 9pm

http://www.imperialwharf.com/index.cfm?articleID=33

Fortunately, a nice doctor with a bedside manner and manic, staring eyes was ready to come to my rescue. By which I mean get another doctor, this time without a bedside manner and with almost no eye contact whatsoever, to stab me with a needle and knock me out so he could set upon me with a Stanley knife in my sleep.

So now I have Frankenthumb and am not allowed to do anything significant for 10-12 weeks. Fortunately, saxophonists are two a penny and we were able to secure the services of the excellent and embarrassingly young Josh Arcoleo for our forthcoming gigs. Great value at half pence (now that’s what I call a cheap joke).

You’ve read all about France (haven’t you?). We lamented the disparity between French and English service stations on our way to Colchester but were pleasantly surprised by the Segue theatre. One of the nicest rooms we’ve played in, acoustically near perfect. audience near perfect too. then it was off to Chelmsford to the most surreal travelodge ever. honestly.

Coventry should have been great – great theatre, the brilliant john minton doing visuals in stereo, great audience, just hardly any of them, allegedly because hardly anyone had heard about it. strange. still, home for a nice warm cuppa.

Next off to warm up the copenhagen jazz festival. we met some lovely dallas cowgirls on the plane. long way from home but that didn’t seem to put them off. also it appears we already have a following in copenhagen.

And now we take coals to newcastle! yes gtb in nyc! the home of jazz. first we have to be blatant tourists – empire state building, carnegie hall, times square, central park, greenwich village, ground zero, broadway… and then the gig. we are nervous. well I am, clive never seems to get nervous. we are playing at one of the coolest venues I’ve ever played in: joe’s pub. Mary Gauthier was on before us (in a separate gig) and was great, full of stories of how to make a living in music. nice posters mary.

Then our gig. amazing. part of the nerves were because of the understandable uncertainty about whether anyone was likely to turn up. has anyone heard of us in america? apparently they have, it was a great turn out. and they loved it. we had several women (well, one) in near hysteria, having travelled from new jersey to come and see us and genuinely delighted. we HAVE to go back.

Upstate new york we head. nearly missed the flight (long story) but arrived in one piece. a very different gig, partly because it was a festival, which always brings a different vibe, but mostly because we were playing in a beautiful 19th century church. definitely an opportunity to emphasise the quieter, darker side of the blessing. space, silence, atmosphere and melody very much to the fore. but again a lovely brace of gigs. it was nice to have a day off at the festival too. saw some great buskers lead by an excellent singer and bass player (yes, at the same time) katie ernst, saw some of the lovely gwyneth herbert and were completely transfixed by susanna and the magical orchestra. then we drank gin.

So then we staggered back to england for a few days rest before jetting off to the third stop on our tour of countries in the England’s world cup group stage group: slovenia. ljubljnjnjnnja to be more precise. a beautiful country and an extraordinary venue – a huge outdoor theatre with the largest awning in the world. we arrived early which again afforded us the opportunity to enjoy the city, the festival, and the gigs, watching louis sclavis trio in a thunderstorm a highlight. we had a good time climbing castles with the led bib boys and then off to our soundcheck. and again our gig was great. hurrah.

Back in blighty now and down to work on the next album….

Apres Toulon, pop-pop a Marseilles (je suis conducteur, et il y a un contretemps entre La Peage et le bras de Jim..excusez-moi…). Bouillabaisse en Le Vieux Port. Foret de bateaux, mais pas de gateaux. La systeme de ‘One-Way’ est tres complique. Cabaret Aleatoire est tres cooool mais assez vide aussi. Gig furieux.

backstage

Plus des autoroutes, et plus des aires. Le Capitaine de Beefheart, et Le Docteur de John. Nieges sur les Pyrenees distant. Les bons-bons avec gouts bizarre: lavande, Ami de Pecheur, salami, pierre tombale (je pense). Finalment, Niort. Une autre venue cool (Camji). Diner est curry de calmar.

Matin, c’est seulment quelques heures sur les autoroutes et l’inevitable Tour de Hypermarche, et nous sommes encore dans le pod de ferry. Zzzzzzzzzzzzzzzzz

Tres jolie Coutances, pour un grand spectacle dans une chamber de miroirs – c’est un Festival de Jazz Sous Les Pommiers, et de Jazzers Sous Le Cidre aussi. Nous recontrons nos amis Anglais! – Chop de Porc. Merci Monsieur Sheppard pour musique sublime avec Glossalalia, et pour notre gig – c’est loud et exciting, et il y a beaucoup de jeunes

Beaucoup des heures dans Le Blessingmobile, sur les autoroutes, et dans les “Aires” (= Motorway Service Stations with edible food). Finalment, Toulouse, et notre co-ordinatrice magnifique, Sandrine. Accomodation est un maison grand dans la campagne, avec gens et chiens amiables. Dormir commes les bébés encore. Matin, nous jouons le ping-pong. Il y a un rendezvous tragique entre la tête de Clive et un “Jacques Rafter” – ouff! Mais tout est oui.

Toulouse est rose. Gig est dans un club de jazz, après diner enorme; ce n’est pas notre gig most energetique peut-etre.

Puis, Toulon

Frisbee dans la place. Omega Live est cool et aussi les gens. Rock (Toul)on

MORE MORE MORE…

Since we’ve never been to the US before we don’t know anyone. So if you’re going to be there or know anyone who’s in NYC on that date please tell them about it. They can get tickets from the Joe’s Pub website

We’re also playing the following day at the Rochester Jazz Festival in upstate New York, and before that at the Jazz House in Copenhagen on June 10. It’s all go…

Sooo, here I am, awake at 3am, with a tune that consists of a two note bass line, a catchy refrain and a steadfast refusal to yield any more than four bars of melody. First of all the bass line: imagine Dick Dale playing Billy Bragg with a wah-wah pedal on low E-string only. Imagine swamp-blues drums, in a swamp. Imagine horn melody jumps (unison trumpet and saxophone) in short, staccato patterns, like a small, dangerous-looking but essentially amiable bee. This ends with an unexpected repetition of the concluding phrase. It follows this (and this is where it starts to get vague) with a change of key, with the melody shifting to the bass, drums shifting to toms and horns playing a rising line before… Before my ideas gradually peter out as I realise the time… Ah well. With luck it will have something of the energy of Cake Hole and Einstein Action Figure about it, something sparklingly bop in the melody, and maybe something Vampire Weekend in texture too. Which gives me an idea for an intro… And maybe I should throw caution to the wind and embrace cold porridge as a valid musical approach?

But here’s the big question: is it just me or are the new Daleks just genocidal teletubbies with vocoders?

9pm – Tickets: Weekend Stroller £60 / Saturday Day £30 / Saturday Evening £18

http://www.teignmouthjazz.org

8pm - Tickets: £12, discounts available.

https://www.lighthousepoole.co.uk/

http://www.segue.org.uk/

http://www.camji.com/

http://www.zenith-omega-toulon.com

http://www.lemandala.com/

http://nanoplex.cubecinema.com/haiti_kids_kino.php

despite disruption and strangeness in the admin department and the inevitable anti-climax after the high of 2008, 2009 was good. our second album bugs in amber got great reviews and we had some great live shows. jazzwise (yes, jazzwise) declared “…they may well be the most original and exciting band on the British scene at the moment.” and, if we say so ourselves, live we’ve just been getting better and better. we had our sell-out debut at ronnie scotts, a return to the london jazz festival playing at the jazz cafe, and a set on the main stage at the colston hall (with string quartet and others) on the same bill as andy sheppard and abdullah ibrahim, boyhood heroes both. we played in spain, ireland, sweden, norway and germany. and scotland. so hard to argue with. and music style product was used as continuity music for the 2009 world darts on telly. and you can’t say fairer than that.

so what are we up to now? writing, writing. we have new blessing tunes in the works, we’re starting to work on vocal tracks so we can get the dulcet tones of clive deamer and tammy payne (and guest others?) into the set. we’re working on a contemporary classical crossover set with elektrostatic, working with an expanded band and boxes of electronic tricks. we’re near to completing an album’s worth of remixes.

livewise we’re playing in bristol on feb 27th (my birthday!) and have a steady string of dates up to the summer, including an appearance on a double bill with Led Bib at the London Word Festival on march 12, a return to sunny sligo in ireland for the st patrick’s day festival on march 19, the elektrostatic gig in bristol on may 12, tours in hungary and france in May and the US in june, and an acoustic gig at st georges in the autumn, which will be part of a uk tour.

questions?

http://www.fasching.se/program.php?visa=683

http://www.qpc.org/index.php?thr=1031

http://www.jazzcafelive.com/newsandevents/templates/bookings.aspx?articleid=790&zoneid=1

later in the main hall a many tentacled gtb takes to the stage. a strung quartet provides plaintive pizzicato, glittering glissandi, disconsolate discord. a lone trombone contributes power and pathos. electric guitar supplements and surpasses with ethereal noise and dainty twang. the mermaid bewitches us all. the solid core of gtb harnesses the yin and yang of this textural landscape with awe and amazement. we rock.

less than one week later and we are flaunting our wares to the great and the good of the european jazz establishment in glasgow, land of my mysterious father’s father. this time we are compact, compressed, confident. we rock again.

so it goes.

get the tickets

As the token jazzer in GTB (I did gigs with NYJO and everything), playing at ronnie scott’s was the fulfillment of a lifetime’s ambition. I’ve always loved the place but I have to say that it looked and sounded better than ever. And it was a real honour to be invited to play there, especially as part of the 50th birthday celebrations held in the form of the Brit-jazz festival. And to play on the same bill as the ever surprising and stupendous Polar Bear. And the gig was sold out. And it rocked. And Jeff Beck thought we rocked too.

And another quote:

“you have restored my faith in humanity. really.”
Drunk Bloke at Shambala Festival

there are times when one would really like a drink …..there are times when the drink one would really like is guiness …..then there are times when the number of guinesses one would really like are too many for one man alone to imagine ….. above is a digital photograph taken using  some  special wires inserted into a mans brain …whilst the man is having a lovely dream …… the picture shows the man  who sincerely believes that 4 pints of guiness can be consumed simultaneously …this not possible under normal conditions …luckily for the man involved …3 very good friends came along in the dream and helped the man consume the 4 pints of guiness simultaneously  …….. this made the man very very happy …. later on in the dream … the four friends consumed afurther 4 pints of guiness .then another …..then another …….then another ……what a dream ! as if this wasnt enough  the  four fine  companions went on to play some beatiful dark silky music  …..  pint after pint of it … many other friends ..all filled to the brim with guiness …..applauded the  four as they relentlessly pleased themselves in their gorgeous  dreamings ……we can all dream …here is the picture to prove it.

As part of the Colston Hall’s gold-plated kitchen extension warming party there will be a jazz night featuring Abdullah Ibrahim, Andy Sheppard and us in extended format – GTB plus strings, trombone, vibes, vocals and utley.

A night at Ronnie’s with Polar Bear as part of Ronnie Scott’s 50th birthday Brit-Jazz celebrations

(review translated by Simon Armitage)

http://www.johnhegley.co.uk/

Q. How and when did The Blessing first get together?

A. There used to be an Ornette Coleman fan club in Bristol — the meetings were held in a very old café in Westone under Nudlum. They have the best bleach cakes in the world. Also coffee. Listening to Ornette and eating those cakes. We knew we had to do something together.

Q. Can you explain why you wear suits and bags on your heads?

A. We do a lot of weddings and funerals — so it’s easier just to wear suits all the time than turn up to a formal occasion wearing the usual jodhpurs and sandals. We wear bags so no one can see us laughing.

Q. It’s been said in many of your interviews that you wont use chords in your music. Why is that?

A. When we started playing together, we could only afford the cheaper brands of chord. They made our music sound sickly and greasy. After one particular session we had used far too many chords — Clive our drummer was violently sick. Even now that we can afford much better quality chords, we choose not to.

Q. What would you say is the single biggest influence on The Blessings’ compositions?

A. Some time ago whilst touring in Andalusia, we were served a local delicacy, ‘the creaking of prawns’, we all simultaneously became synthetic. Now all our melodies are infused with the delicate purples and pinks of small crustacia frying.

… and tonight we’re in the land of kings yes really the land of kings festival in dalston london at the vortex to be precise so if you read this in time come down tonight but if you don’t but still live in london come and see us we are playing at cargo on may 28 we are yes I said yes we are

the bugs have been languishing in the fossilized sap for some time now .

unaware of the impending weight of public opinions being courted by thier imprisoners

the excitement and warm glow is long gone .

whats kinna happened ?

cinematic experiments are afoot.

post modern juggling of solar flarings and academic bottoms …. mash up and mosh yer mush mate .

singing is heard from the thin blue dawn horizon .

maybe journeys into the fairie woods with sylph like creatures are in store …

maybe a terrifying adventure with a hairless faun in some underworld forests .

its all in the hands of the jazz mind police … magistrates of good taste and correct aesthetic meddlings .

all we need is the small treats we deserve and we will be the happiest little easter bunnies this side of christmas pudding .

but we must wait and see .

these bugs havent sucked in fifty million years … they are thirsty for blood , sap , juices of any kind at all ….

fifty million years of hunger …. about to be unleashed on the woild innit.

Jazz Club @ The Rainbow, Digbeth
8:30pm (band onstage 9pm) £3

http://www.jazzfest.co.uk/

]]> http://www.theblessing.co.uk/london-album-launch-cargo/feed/ 0 http://www.theblessing.co.uk/224/ http://www.theblessing.co.uk/224/#comments Tue, 24 Feb 2009 15:08:47 +0000 Pete http://www.theblessing.co.uk/224/ Sevilla

¡Que ciudad! Sol en el cielo. Naranjas en los arbres. Muchas tapas en los platos. Y muchas personas simpaticos en el Teatro para el concierto de La Benedición.

Tenemos una especialidad de Bristol para las personas: Tarta de Limpieza. Delicioso.

Tocamos canciones varios. Musico Estilo Producto. El Moto de Suzuki. Igual y Contrario. Velocidad de Oscuridad.

Despues el concierto, escuchamos á el crujiente de langostinos. Unas personas rien a mi Española pequeña (soy idiota!).

Cadiz

Ahora somos en Cadiz. Gracias á Ivan y su van. Sol tambien en el cielo. Muchos balcones y flores. Luz del mar.

Teatro pequeño y supercool. Mi Español (sic) es un poquito menos primitivo. Tocamos canciones varios y diferentes. Pescadito y Estanquito. Omígas En Ambar. Un Hermano Mas de Una Madre Mas.

Despues, mariscos y pescados.

Jerez

Lluvioso en Jerez, pero La Benedición son feliz – en una taverna rustica, con muchas tapas, y, por supuesto, copas de jerez. No son doloroso con nuestro Oloroso.

Teatro gigantesco! Mas canciones. Desconocido. Las Palabras Para Raya de Luna Son Raya de Luna. El Figurine Acción de Einstein.

Cuando se danza con Diablo, no se da un paso falso.
Todo es si. España por favor.

]]> http://www.theblessing.co.uk/224/feed/ 1 http://www.theblessing.co.uk/new-album-launched/ http://www.theblessing.co.uk/new-album-launched/#comments Wed, 11 Feb 2009 15:06:14 +0000 Jake http://www.theblessing.co.uk/?p=223 … but that would be telling ….

… and details of the gig here.